Beethoven Sonata 109 No 30 in E major Part 2 [Anastasia Huppmann]

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Ludwig van Beethoven Sonata 109 (Piano Sonata No 30 in E major), Part 2

I often feel as if the piano and Beethoven were fashioned from the very same mould; somehow inextricably linked by their very design. I hear his echoes between each and every ivory and ebony key; as if he were still playing to this very day. Many feel that Piano Sonata No. 30 (often referred to simply as Beethoven Sonata 109) is one of his last great pieces. Written a mere seven years before his death, this work was composed near the same time as the Missa Solemnis and his famous Ninth Symphony. However, the Beethoven Sonata 109 is seen as being vastly different when compared to his earlier sonatas due to its unique harmonic attributes. It is worth noting that this piece was created following the Hammerklavier (opus 106). He was well aware of the severity of his hearing loss by this time and he had already suffered many emotional upheavals. So, I personally consider this piece to represent one of his most mature oeuvres and arguably, his last great piano sonata. Was he aware of how his future would be affected by his hearing loss? Did he sense death less than a decade away? Could he know how this piece would impact pianists such as myself for generations to follow? My mind often flirts with these questions as ........

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